Now, here's your FIRST feature.
Yoinked from the mighty wikipedia machine ...
"The Monster of Piedras Blancas is a 1959 science fiction/horror film written and directed by Irvin Berwick and starring Jeanne Carmen, Les Tremayne, John Harmon, Don Sullivan, Forrest Lewis, and Pete Dunn. Strongly influenced by The Creature from the Black Lagoon (1954), the film was produced by Jack Kevan, who had supervised the manufacture of the original Creature suit at Universal-International, and created the Piedras Blancas monster costume.
Both Jack Kevan and Irvin Berwick toiled in unbilled obscurity as contract employees at Universal-International. Berwick had been an uncredited dialogue director at U-I and at Columbia prior to that, working with the likes of William Castle and Jack Arnold. Kevan in particular chafed under the stewardship of Bud Westmore, the head of the studio's make-up department, who seldom allowed employees like Kevan or sculptors Chris Mueller and Millicent Patrick to receive publicity. Berwick and Kevan formed Vanwick Productions (BerWICK + KeVAN) and became independent producers. Their first film was designed as a patch on U-I's popular Creature from the Black Lagoon, whose iconic monster suit Kevan had helped create. For this movie's fictional 'diplovertabron' Kevan cut cost and labor time by using existing molds for the feet (cast from those of the Metalunan Mutant from This Island Earth) and the oversized hands (designed originally for The Mole People.) Actor/stunt man Pete Dunn wore the green-hued monster suit in the film, and did double-duty playing the bartender.
Universal gave a great deal of unofficial cooperation to the production, since it was going through a period of budget problems. Vanwick received sweetheart deals for production vehicles and equipment, the studio's way of helping the many laid-off technicians who found work on the independent film. Top-lined Don Sullivan would appear in a number of other genre films after this, such as The Giant Gila Monster.
Several scenes broke new ground for on-screen gore, such as the monster making a shock entrance carrying a bloody human head, and a later shot of the same head with a crab crawling across the face. The film was released on a double bill with Okefenokee, a bayou melodrama. Kevan and Berwick made several other B-films, notably The Street is My Beat, before Kevan left show business to start a cosmetics company. Berwick continued to direct and produce low budget features into the 1980s. Wayne Berwick later directed the cult classic, Microwave Massacre and co-directed the 1950s spoof The Naked Monster, which features Jeanne Carmen and John Harmon in a lighthouse segment which sends up the 1959 film. Les Tremayne also appears in the spoof (albeit in a role patterned after his part in The War of the Worlds). Irv Berwick supplied an off-screen radio voice for the parody."
Yoinked from imdb, wikipedia and 1000misspenthours.com with my own bad movie knowledge mixed in ...
"Seddok, l'erede di Satana, translated as Seddock, Heir of Satan, is a 1963 black-and-white Italian horror/science fiction film directed by Anton Giulio Majano and starring Alberto Lupo and Sergio Fantoni. It was released in the U.S. three years later as Atom Age Vampire despite the fact that it has no actual connection to the atom age, nor are there any vampires anywhere near this piece of poop.
This low-budget Italian schlockfest production tells the tale of a scientist who employs a radical new procedure to restore the beauty of a young stripper who gets disfigured in a car accident. All goes well after the bandages come off but its only a matter of time before the woman begins transforming into an incredibly stupid looking monster.
The original Italian version is fully eighteen minutes longer and may very well be more logical, more sensible, and just generally better. Then again, it might also be that the Italian prints simply feature more strippers with less clothing. Either way, the English-language version of Atom-Age Vampire is a truly ass-tastic film.
Atom-Age Vampire is everything a 1960’s audience would have pictured when they thought about shitty Italian horror movies. The dubbing is haphazard, the English-language dialogue is ridiculous, and the voiceover actors always seem to be overemoting in a slightly different direction from the performers whose voices they replaced. With so much footage missing, it’s impossible to be certain who deserves what share of the blame for the erratic pace and nonsensical editing of the American prints, but it’s equally impossible to ignore those defects when watching the US edit.
It's a fairly decent story of obsession, a cautionary tale of science, and an anti-smoking morality play deep down inside. But on the surface it’s a fairly boring, awfully talkative drive-in flick with bad dialog and some pretty laughable effects."
Steve's Snacks Of The Week:
The second feature today is actually a repeat. I showed this film in 2010. It is MY OWN special version of the film and it has recently made its way to youtube. MY special version of todays feature presentation features a very special beginning, an old commercial, a movie preview and a small amount of my own little riffs hidden throughout the movie, so be sure to pay good attention!
ENJOY THE SHOW, Y'ALL!